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Carl Spitzweg Der Hexenmeister 1875
29,8 x 21,9 cm
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Carl Spitzweg Carl Spitzweg Technique Deutsch: Öl, Eichenholz
Dimensions Deutsch: 32,8 X 29,7 cm
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Carl Spitzweg Wo ist der Pass 1848 / 1850
Oil on panel
Deutsch: 32,8 ?? 29,7 cm
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Carl Spitzweg Ein Solo, Detail 1855(1855)
oil on canvas
43 X 46 cm (16.93 X 18.11 in)
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Carl Spitzweg Der Hexenmeister 1875
Oil on wood
29,8 x 21,9 cm
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Carl Spitzweg Ein Besuch c. 1850
22,1 X 26,7 cm
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Carl Spitzweg Dog and Hare Dog and Hare, Oil on canvas.
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Carl Spitzweg Werber in einer Schenke Werber in einer Schenke. 1783 Maße: 80,4 x 108,2 cm
Standort: Bayerische Staatsgemäldesammlungen
Date 1783(1783)
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Carl Spitzweg Ein Besuch Date Deutsch: um 1850
English: c. 1850
Medium Deutsch: Öl auf Karton
Dimensions Deutsch: 22,1 X 26,7 cm
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Carl Spitzweg Der Geologe ca. 1860(1860)
Oil on paperboard mounted on canvas
44 x 34,5 cm
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Carl Spitzweg Gnome watching railway train ca. 1848(1848)
Medium Oil on wood
Dimensions 24 x 14.7 cm (9.4 x 5.8 in)
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Carl Spitzweg Der Geologe ca. 1860(1860)
Medium Oil on paperboard mounted on canvas
Dimensions 44 x 34,5 cm
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Carl Spitzweg Dirndl und Jager im Gebirge Oil on wood
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Carl Spitzweg Die Jugendfreunde Date ca. 1855(1855)
Medium Oil on canvas
Dimensions 30 x 42.5 cm (11.8 x 16.7 in)
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Carl Spitzweg Italienische Strabensanger Date by 1885(1885)
Medium Oil on wood
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Carl Spitzweg Eremit Huhnchen bratend Date by 1885(1885)
Medium Oil on wood
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Carl Spitzweg Institutsausflug Date by 1885(1885)
Medium Oil on wood
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Carl Spitzweg The Angler Date first half of 19th century
Medium Oil on wood
Dimensions Height: 25.5 cm (10 in). Width: 18 cm (7.1 in).
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Carl Spitzweg Rosenduft-Erinnerung Date 1850(1850)
Medium Oil on canvas
Dimensions 37 x 30 cm
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Carl Spitzweg Es war einmal - Der strickende Wachposten Date c. 1830(1830)
Medium Oil on canvas
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Carl Spitzweg
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German Painter, 1808-1885
German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.
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